Research Archive
Chinese Textile & Costume Research Archive
中国传统织绣与宫廷服饰研究档案
The archive works from surviving Chinese textiles, embroidery and court dress, building object records, a motif reference and research documentation that can be checked.
Director · Xiaojian Li
Qing dynasty robe, dragon motif (from an object in the archive)
Holdings · September 2026
- 27
- Object records
- 10
- Motif entries
- 5
- Research texts
- 3
- Exhibition records
- 2
- Publications
- 97
- In public collections
Under continuing compilation. Object photography, measurements, lecture transcripts and archival scans are being added. The archive was founded and is directed by Xiaojian Li, and draws on his own collection and long-standing research.
About the Archive
The archive works from the objects themselves. Each is recorded by material, weave structure, technique, motif and construction; anything not measured or established is marked “to be added” rather than filled in by inference.
The motif section is not a catalogue of patterns. The same motif is gathered as it appears on different objects, so that it can be compared — differences of form are concrete evidence for dating and attribution, not decorative knowledge.
Exhibitions, publications, lectures and donations are documented alongside, because they record how this material entered public circulation. A textile in private hands and the same textile in a public collection do not carry the same scholarly value.
Director
Xiaojian Li
The archive was founded and is directed by Xiaojian Li, and draws on his own collection and long-standing research.
Editorial Principles
- 01Objects are named only by what can be determined from the object itself: dynastic form, ground colour, principal motif and object type.
- 02Date, dimensions, provenance and technique are left blank and marked “to be added” unless measured or established.
- 03Motifs are compared only within a single technique and object type; comparison across techniques is not treated as evidence.
- 04Exhibitions, publications and donations are recorded only where verifiable; dates, counts and institutional names follow the original record.
- 05Chinese and English texts are written separately; no machine translation is used.
Research Fields
- 01
Qing Imperial Costume
清代宫廷服饰
Court robes, festive dress, dragon surcoats and informal robes examined as objects — construction, materials and occasion of wear — read against the written regulations of the Qing court.
- 02
Traditional Chinese Textiles
中国传统织物
Woven silks from the Tang dynasty onwards — samite, satin, damask and gauze — studied through weave structure, loom technique and the changing layout of pattern.
- 03
Dragon Motif Studies
龙纹研究
The Qing dragon traced reign by reign: head, claw, mane, proportion and posture compared as a working reference for dating and attribution.
- 04
Cloud & Auspicious Motifs
云纹与吉祥纹样
Cloud bands, wave-and-mountain borders, bats, scrolling lotus and the Eight Auspicious Symbols: how such motifs are constructed, combined and read.
- 05
Costume Regulations
服饰制度
The hierarchy set out in Qing dress regulation, and the distance between the codified text and what was actually made and worn.
- 06
Object-Based Research
实物研究
Method grounded in the object itself — fibre, weave, stitch, seam and evidence of use — towards descriptions and datings that can be checked.
Selected Collection

Jifu Robe with Dragons and Clouds on a Yellow Ground
清代黄地云龙纹吉服袍
Qing dynasty · Jifu robe (festive court dress)

Longgua with Dragon Roundels on a Dark Blue Ground
清代石青地团龙纹龙褂
Qing dynasty · Longgua (dragon surcoat)

Woman’s Jifu Surcoat with Floral Roundels on a Red Ground
清代红地团花纹女吉服褂
Qing dynasty · Jifu surcoat

Civil Rank Badge (Buzi)
清代文官补子
Qing dynasty · Rank badge (buzi)
Featured Research
Motif Studies
To be added
Evolution of Dragon Motifs During the Qing Dynasty
清代历朝龙纹的演变
The dragon is the most tightly regulated motif in Qing dress, yet its form changes continuously across more than two centuries. Working from surviving garments, this study sets out the successive characteristics of the Qing dragon under five headings — the proportion of the head, the treatment of the mane, the form of the claw, the movement of the body, and its relation to the surrounding clouds — and considers the limits of using the motif as evidence for dating.
Read moreMotif Studies
To be added
Forms and Symbolism of Cloud Motifs in Qing Textiles
清代云纹的形态与象征
Cloud motifs in Qing textiles are at once ornament and structure. Beginning from the basic unit of head and tail, this study examines changes in density, arrangement and interlocking across the dynasty, and describes the work clouds do compositionally — dividing, linking and supporting — together with the shifting relationship between cloud and principal motif.
Read morePapers
To be added
Qing Imperial Costume Regulations Through Surviving Objects
从传世实物看清代宫廷服饰制度
Qing dress regulation set out in writing the forms, motifs and colours available to each rank, yet surviving garments do not always answer to the text. This paper distinguishes three relations between object and regulation — conformity, divergence and adjustment — and argues for the value of material evidence in understanding how the system actually worked.
Read more
Motifs
Exhibitions
- 2018
Images of the Silk Road: Chinese Fashion and Costume Art
丝路映像——中国时装艺术精品展
China Cultural Centre in Moscow
Moscow · Russia
- 2018
Chinese Textiles and Embroidery: Selected Works from the Li Yulai Collection
中国传统织绣文化展——李雨来藏品撷珍
Museum of Textile and Costume, Donghua University
Shanghai · China
- 2017
Qing Dynasty Dress from the Li Yulai Collection
李雨来藏清代服饰粹珍
Beijing Institute of Fashion Technology
Beijing · China
Publications
09 — Donation
97
objects · 2022
Donation to Tsinghua University Art Museum
捐赠清华大学艺术博物馆
In August 2022 Xiaojian Li donated ninety-seven objects from his collection of Chinese textiles, embroidery and dress to the Tsinghua University Art Museum: twelve garments and eighty-five textiles and embroideries.
- Garments, including a kesi mang robe with dragon and cloud design
- 12
- Textiles and embroideries, including a blue-satin-ground brocade with peony and grapevine
- 85
- Public collection
- Academic research
- Cultural preservation
Latest
Latest Research
Evolution of Dragon Motifs During the Qing Dynasty
Xiaojian Li
Latest Lecture
Evolution and Cultural Meaning of Dragon and Cloud Motifs Across the Qing Dynasty
2017 · Beijing Institute of Fashion Technology
Latest Exhibition
Images of the Silk Road: Chinese Fashion and Costume Art
2018 · China Cultural Centre in Moscow
Latest Publication
Qing Costume Regulations and Surviving Objects: Women’s Dress
2019 · Donghua University Press








